Reindeer – a character that wouldn’t look out of place in a Quentin Tarantino story. It doesn’t even have to be a prominent character, sometimes it’s just a name Uncle Pooch, Bob Ray Lemon and the enigmatic criminal kingpin, Mr. You could also mention a brief and suitably odd Jack Nance or Sherilyn Fenn as a random car crash victim who deliriously worries about her purse while picking at the fatal wound in her head. ![]() Freeman) the menacing hitman with a wicked sense of humour and real threatening conviction and Private Detective Johnny Farragut (Harry Dean Stanton) as the gentle heart of the film. It’s a film filled with eccentric characters and the supporting ones are just as memorable: there’s cousin Dell (Crispin Glover) who has a thing about Christmas and putting cockroaches in his underpants Marcelles Santos (J.E. It’s a very energetic performance and he plays it at just the right note whereby he’s both funny and dangerous – not to mention the Elvis impersonations and the love he has for his snake skin jacket which “ represents his individuality and belief in personal freedom“ Laura Dern is no less his equal as she captures the hyperactivity and naiveté of an infatuated teenager – even if she is slightly too old for a teenage role Diane Ladd is simply wonderful (and deservedly Oscar nominated) as the bitter and spiteful Marietta that will stop at nothing in achieving her vengeance and retribution on Sailor. It isn’t entirely what we have come to know and love about a Lynchian experience but he still manages to imbue it with some colourful dialogue and showcases his idiosyncratic knack for oddball characters which provides great fodder for an eclectic cast of strong performers: A lot has been said about the downfall of Nicolas Cage’s career in recent times but it can often be overlooked just how good he was in the 80’s and 90’s and he’s rarely been better than he is here. For the most part, he abandons his surrealist, claustrophobic narrative for something more open and approachable: a road movie with numerous different characters and motivations. He also attempts something a bit different from his norm. For a start, Lynch already had some solid films on his resumé and, as mentioned earlier, the original material is not his own. I’m not about to split hairs on that particular opinion but there are some obvious reasons for this. Some may (and do) claim that this is not Lynch’s strongest output. In a fit of rage, Marietta is determined to prevent the two from seeing each other and employs the services of a P.I and hitmen to track them down. Sailor Ripley (Nicolas Cage) and Lula Fortune (Laura Dern) are young lovers fleeing south from Lula’s vengeful mother Marietta (Diane Ladd). This may be a more linear film than most Lynch fans expected but it’s one of his more accessible offerings while still maintaining his talent for the weird and the offbeat. That said, Barry Gifford’s source material is far more suited to Lynch’s style. The last time Lynch attempted to do this (Frank Herbert’s Dune), the results were catastrophic. However, this time he was working on an adaptation from another writer’s work. “Speaking of Jack, One eyed Jack’s yearning to go a peeping in a seafood store”Īround the time of Wild At Heart‘s release, David Lynch was already enjoying an abundance of praise for his cult TV show Twin Peaks. ![]() Morgan Sheppard, Sherilyn Fenn, Marvin Kaplan, David Patrick Kelly, Freddie Jones, Jack Nance, John Lurie, Pruitt Taylor Vince, Gregg Dandridge, Frank Collison, Scott Coffey, Frances Bay, Sheryl Lee. Freeman, Crispin Glover, Isabella Rossellini, Calvin Lockhart, Grace Zabriskie, W. Starring: Nicolas Cage, Laura Dern, Willem Dafoe, Diane Ladd, Harry Dean Stanton, J.E.
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